Alec Nevala-Lee

Thoughts on art, creativity, and the writing life.

Archive for the ‘Books’ Category

Shoji Sadao (1926-2019)

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The architect Shoji Sadao—who worked closely with Buckminster Fuller and the sculptor Isamu Noguchi—passed away earlier this month in Tokyo. I’m briefly quoted in Sadao’s obituary in the New York Times, which draws attention to his largely unsung role in the careers of these two brilliant but demanding men. My contact with Sadao was limited to a few emails and one short phone conversation intended to set up an interview that I’m sorry will never happen, but I’ll be discussing his legacy at length in my upcoming biography of Fuller, and you’ll be hearing a lot more about him here.

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November 13, 2019 at 7:15 pm

Onward and upward

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Next week, I’ll be attending the 77th World Science Fiction Convention in Dublin, Ireland, which promises to be a lot of fun. Here’s my schedule as it currently stands:

  • Thursday August 15, 3pm—”Current Politics Reflected in SFF”—Dr. Harvey O’Brien (M), Susan Connolly, Dr Douglas Van Belle, Alec Nevala-Lee—”SFF is probably the genre that best mirrors present day society. If we examine SFF in both visual media and books, what can we learn about current politics playing out? What might future generations surmise about us?”
  • Friday August 16, 11:30am—”Continuing Relevance of Older SF”—Sue Burke (M), Alec Nevala-Lee, Aliza Ben Moha, Robert Silverberg, Joe Haldeman—”We are in a new millennium, a literal Brave New World. Surely much of the fiction of the 20th century no longer holds relevance? The panel will discuss the fiction of the past and how it can still be relevant in the 21st century. What lessons from older authors – such as Orwell, Asimov, Butler, Delany, Kafka, and Atwood – can we apply to our app-loaded, social media-driven age?”
  • Friday August 16, 2019, 5pm—”Comparable Futurist Movements”—Alec Nevala-Lee (M), Gillian Polack, Jeanine Tullos Hennig, Shweta Taneja—”How influenced by Afrofuturism are other world futurist movements such as Sinofuturism, Nippofuturism and Gulf futurism? Do they consider themselves a part of the same futurist tradition, or separate? The panel will discuss visions of the future from world cultures, how they are influenced by the root cultures they draw from, and how (if at all) they relate to Afrofuturism.”
  • Saturday August 17, 2019, 2pm—Autographing
  • Monday August 19, 2019, 10am—Kaffeeklatsch
  • Monday August 19, 2019, 12:30pm—Reading

I might as well also mention that Astounding is up for the Hugo Award for Best Related Work—although the rest of the ballot is extremely formidable—and that it recently came out in paperback. (This new edition is virtually identical to the hardcover, but I took the opportunity to make a few small fixes and tweaks, and as far as I’m concerned, this is the definitive version.) And if you haven’t done so already, please check out the first three episodes of the wonderful Washington Post podcast Moonrise, which heavily draws on material from the book. Hope to see some of you soon!

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August 10, 2019 at 8:07 am

Burrowing into The Tunnel

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Last fall, it occurred to me that someone should write an essay on the parallels between the novel The Tunnel by William H. Gass, which was published in 1995, and the contemporary situation in America. Since nobody else seemed to be doing it, I figured that it might as well be me, although it was a daunting project even to contemplate—Gass’s novel is over six hundred pages long and famously impenetrable, and I knew that doing it justice would take at least three weeks of work. Yet it seemed like something that had to exist, so I wrote it up at the end of last year. For various reasons, it took a long time to see print, but it’s finally out now in the New York Times Book Review. It isn’t the kind of thing that I normally do, but it felt like a necessary piece, and I’m pretty proud of how it turned out. And if the intervening seven months don’t seem to have dated it at all, it only puts me in mind of what the radio host on The Simpsons once said about the DJ 3000 computer: “How does it keep up with the news like that?”

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July 12, 2019 at 2:35 pm

Love and Rockets

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I’m delighted to share the news that Astounding is a 2019 Hugo Award Finalist for Best Related Work, along with a slate of highly deserving nominees. (The other finalists include Archive of Our Own, a project of the Organization for Transformative Works; the documentary The Hobbit Duology by Lindsay Ellis and Angelina Meehan; An Informal History of the Hugos by Jo Walton; The Mexicanx Initiative Experience at Worldcon 76 by Julia Rios, Libia Brenda, Pablo Defendini, and John Picacio; and Conversations on Writing by Ursula K. Le Guin and David Naimon. It’s a strong ballot, and I’m honored to be counted in such good company.) It feels like the high point of a journey that began with an announcement on this blog more than three years ago, and it isn’t over yet—I’m definitely going to be attending the World Science Fiction Convention in Dublin, which runs from August 15 to 19, and while I don’t know what the final outcome will be, I’m grateful to have made it even this far. The Hugos are an important part of the history that this book explores, and I’m thankful for the chance to be even a tiny piece of that story.

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April 2, 2019 at 9:01 am

Art and Arcana

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On Sunday, I got back from the Savannah Book Festival, which was a real pleasure. My event at Trinity United Methodist Church—which was the first time that I’ve ever spoken from a pulpit—went great, at least to my eyes, and I enjoyed talking to the science fiction fans who were kind enough to turn out on a rainy afternoon. (I also had the chance to meet a number of other writers, notably Mike Witwer, whose Dungeons & Dragons: Art and Arcana looks just incredible.) During my free time, I visited the Book Lady Bookstore, which I highly recommend, and the house of Juliette Gordon Low, the founder of the Girl Scouts of the USA, much to the delight of my daughter, who recently joined the Daises. And I’m happy to note that my talk is scheduled to air on BookTV on C-SPAN2 this Saturday at 5:35pm ET, followed by an encore presentation early the following morning. (You can watch it online here.)

In the meantime, I have a few other upcoming events that might be worth mentioning. On Saturday February 23, I’ll be holding a second session of my fiction workshop, “Writing Science Fiction that Sells,” at Mary Anne Mohanraj’s makerspace in Oak Park, Illinois. The first class went better than I could have hoped, and I’d love to see some new faces there. (For the record, most of the guidelines that I plan to cover—clarity, coming up with ideas, structuring the plot as a series of objectives, managing the information that the reader receives—apply to all kinds of writing, although they present particular challenges in science fiction and fantasy.) I’m also going to be appearing with the editor and critic Gary K. Wolfe on Monday February 25 at the Blackstone branch of the Chicago Public Library, where we’ll be discussing Astounding as part of One Book, One Chicago. Please spread the word to anyone who might be interested—I hope to see some of you soon!

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February 20, 2019 at 6:16 am

Sci-Fi Strawberry in Savannah

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I’m heading out this morning to Savannah, Georgia for the Savannah Book Festival, where I’ll be appearing this Saturday at 4 pm at Trinity United Methodist Church to discuss Astounding. (As it happens, L. Ron Hubbard lived in Savannah for a period of time in the late forties while he was developing the mental health therapy that became known as dianetics, and I plan to briefly explore this local connection, as well as other aspects of the book that recently scored a big endorsement from a certain bearded fantasy writer.) I hope to see some of you there in person—perhaps at Leopold’s Ice Cream, which will be serving Sci-Fi Strawberry this weekend in honor of the book—and if you can’t make it, my event is scheduled to air eventually on BookTV on C-SPAN 2. And please keep an eye on this blog, where I expect to have a few other announcements soon. Stay tuned!

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February 14, 2019 at 7:30 am

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Visions of tomorrow

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As I’ve mentioned here before, one of my few real regrets about Astounding is that I wasn’t able to devote much room to discussing the artists who played such an important role in the evolution of science fiction. (The more I think about it, the more it seems to me that their collective impact might be even greater than that of any of the writers I discuss, at least when it comes to how the genre influenced and was received by mainstream culture.) Over the last few months, I’ve done my best to address this omission, with a series of posts on such subjects as Campbell’s efforts to improve the artwork, his deliberate destruction of the covers of Unknown, and his surprising affection for the homoerotic paintings of Alejandro Cañedo. And I can reveal now that this was all in preparation for a more ambitious project that has been in the works for a while—a visual essay on the art of Astounding and Unknown that has finally appeared online in the New York Times Book Review, with the highlights scheduled to be published in the print edition this weekend. It took a lot of time and effort to put it together, especially by my editors, and I’m very proud of the result, which honors the visions of such artists as H.W. Wesso, Howard V. Brown, Hubert Rogers, Manuel Rey Isip, Frank Kelly Freas, and many others. It stands on its own, but I’ve come to think of it as an unpublished chapter from my book that deserves to be read alongside its longer companion. As I note in the article, it took years for the stories inside the magazine to catch up to the dreams of its readers, but the artwork was often remarkable from the beginning. And if you want to know what the fans of the golden age really saw when they imagined the future, the answer is right here.

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January 11, 2019 at 7:25 am

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