Alec Nevala-Lee

Thoughts on art, creativity, and the writing life.

Posts Tagged ‘Robert Mueller

The war of ideas

with 2 comments

Over the last few days, I’ve been thinking a lot about a pair of tweets. One is from Susan Hennessy, an editor for the national security blog Lawfare, who wrote: “Much of my education has been about grasping nuance, shades of gray. Resisting the urge to oversimplify the complexity of human motivation. This year has taught me that, actually, a lot of what really matters comes down to good people and bad people. And these are bad people.” This is a remarkable statement, and in some ways a heartbreaking one, but I can’t disagree with it, and it reflects a growing trend among journalists and other commentators to simply call what we’re seeing by its name. In response to the lies about the students of Marjory Stoneman Douglas High School—including the accusation that some of them are actors—Margaret Sullivan of the Washington Post wrote:

When people act like cretins, should they be ignored? Does talking about their misdeeds merely give them oxygen? Maybe so. But the sliming—there is no other word for it—of the survivors of last week’s Florida high school massacre is beyond the pale…Legitimate disagreement over policy issues is one thing. Lies, conspiracy theories and insults are quite another.

And Paul Krugman went even further: “America in 2018 is not a place where we can disagree without being disagreeable, where there are good people and good ideas on both sides, or whatever other bipartisan homily you want to recite. We are, instead, living in a kakistocracy, a nation ruled by the worst, and we need to face up to that unpleasant reality.”

The other tweet that has been weighing on my mind was from Rob Goldman, a vice president of advertising for Facebook. It was just one of a series of thoughts—which is an important detail in itself—that he tweeted out on the day that Robert Mueller indicted thirteen Russian nationals for their roles in interfering in the presidential election. After proclaiming that he was “very excited” to see the indictments, Goldman said that he wanted to clear up a few points. He had seen “all of the Russian ads” that appeared on Facebook, and he stated: “I can say very definitively that swaying the election was not the main goal.” But his most memorable words, at least for me, were: “The majority of the Russian ad spend happened after the election. We shared that fact, but very few outlets have covered it because it doesn’t align with the main media narrative of Tump [sic] and the election.” This is an astounding statement, in part because it seems to defend Facebook by saying that it kept running these ads for longer than most people assume. But it’s also inexplicable. It may well be, as some observers have contended, that Goldman had a “nuanced” point to make, but he chose to express it on a forum that is uniquely vulnerable to being taken out of context, and to unthinkingly use language that was liable to be misinterpreted. As Josh Marshall wrote:

[Goldman] even apes what amounts to quasi-Trumpian rhetoric in saying the media distorts the story because the facts “don’t align with the main media narrative of Trump and the election.” This is silly. Elections are a big deal. It’s hardly surprising that people would focus on the election, even though it’s continued since. What is this about exactly? Is Goldman some kind of hardcore Trumper?

I don’t think he is. But it also doesn’t matter, at least not when his thoughts were retweeted approvingly by the president himself.

This all leads me to a point that the events of the last week have only clarified. We’re living in a world in which the lines between right and wrong seem more starkly drawn than ever, with anger and distrust rising to an unbearable degree on both sides. From where I stand, it’s very hard for me to see how we recover from this. When you can accurately say that the United States has become a kakistocracy, you can’t just go back to the way things used to be. Whatever the outcome of the next election, the political landscape has been altered in ways that would have been unthinkable even two years ago, and I can’t see it changing during my lifetime. But even though the stakes seem clear, the answer isn’t less nuance, but more. If there’s one big takeaway from the last eighteen months, it’s that the line between seemingly moderate Republicans and Donald Trump was so evanescent that it took only the gentlest of breaths to blow it away. It suggests that we were closer to the precipice than we ever suspected, and unpacking that situation—and its implications for the future—requires more nuance than most forms of social media can provide. Rob Goldman, who should have known better, didn’t grasp this. And while I hope that the students at Marjory Stoneman Douglas do better, I also worry about how effective they can really be. Charlie Warzel of Buzzfeed recently argued that the pro-Trump media has met its match in the Parkland students: “It chose a political enemy effectively born onto the internet and innately capable of waging an information war.” I want to believe this. But it may also be that these aren’t the weapons that we need. The information war is real, but the only way to win it may be to move it into another battlefield entirely.

Which brings us, in a curious way, back to Robert Mueller, who seems to have assumed the same role for many progressives that Nate Silver once occupied—the one man who was somehow going to tell us that everything was going to be fine. But their differences are also telling. Silver generated reams of commentary, but his reputation ultimately came down to his ability to provide a single number, updated in real time, that would indicate how worried we had to be. That trust is clearly gone, and his fall from grace is less about his own mistakes than it’s an overdue reckoning for the promises of data journalism in general. Mueller, by contrast, does everything in private, avoids the spotlight, and emerges every few months with a mountain of new material that we didn’t even know existed. It’s nuanced, qualitative, and not easy to summarize. As the coverage endlessly reminds us, we don’t know what else the investigation will find, but that’s part of the point. At a time in which controversies seem to erupt overnight, dominate the conversation for a day, and then yield to the next morning’s outrage, Mueller embodies the almost anachronistic notion that the way to make something stick is to work on it diligently, far from the public eye, and release each piece only when you’re ready. (In the words of a proverbial saying attributed to everyone from Buckminster Fuller to Michael Schrage: “Never show fools unfinished work.” And we’re all fools these days.) I picture him fondly as the head of a monastery in the Dark Ages, laboriously preserving information for the future, or even as the shadowy overseer of Asimov’s Foundation. Mueller’s low profile allows him to mean whatever we want to us, of course, and for all I know, he may not be the embodiment of all the virtues that Ralph Waldo Emerson identified as punctuality, personal attention, courage, and thoroughness. I just know that he’s the only one left who might be. Mueller can’t save us by himself. But his example might just show us the way.

The art of obfuscation

with 2 comments

In the book Obfuscation: A User’s Guide for Privacy and Protest, a long excerpt of which recently appeared on Nautilus, the academics Finn Brunton and Helen Nissenbaum investigate the ways in which short-term sources of distraction can be used to conceal or obscure the truth. One of their most striking examples is drawn from The Art of Political Murder by Francisco Goldman, which recounts the aftermath of the brutal assassination of the Guatemalan bishop Juan José Gerardi Conedera. Brunton and Nissenbaum write:   

As Goldman documented the long and dangerous process of bringing at least a few of those responsible within the Guatemalan military to justice for this murder, he observed that those threatened by the investigation didn’t merely plant evidence to conceal their role. Framing someone else would be an obvious tactic, and the planted evidence would be assumed to be false. Rather, they produced too much conflicting evidence, too many witnesses and testimonials, too many possible stories. The goal was not to construct an airtight lie, but rather to multiply the possible hypotheses so prolifically that observers would despair of ever arriving at the truth. The circumstances of the bishop’s murder produced what Goldman terms an “endlessly exploitable situation,” full of leads that led nowhere and mountains of seized evidence, each factual element calling the others into question. “So much could be made and so much would be made to seem to connect,” Goldman writes, his italics emphasizing the power of the ambiguity.

What interests me the most about this account is how the players took the existing features of this “endlessly exploitable situation,” which was already too complicated for any one person to easily understand, and simply turned up the volume. They didn’t need to create distractions out of nothing—they just had to leverage and intensify what was naturally there. It’s a clever strategy, because it only needs to last long for enough to run out the clock until the possibility of any real investigation has diminished. Brunton and Nissenbaum draw a useful analogy to the concept of “chaff” in radar countermeasures:

During World War II, a radar operator tracks an airplane over Hamburg, guiding searchlights and anti-aircraft guns in relation to a phosphor dot whose position is updated with each sweep of the antenna. Abruptly, dots that seem to represent airplanes begin to multiply, quickly swamping the display. The actual plane is in there somewhere, impossible to locate owing to the presence of “false echoes.” The plane has released chaff—strips of black paper backed with aluminum foil and cut to half the target radar’s wavelength. Thrown out by the pound and then floating down through the air, they fill the radar screen with signals. The chaff has exactly met the conditions of data the radar is configured to look for, and has given it more “planes,” scattered all across the sky, than it can handle…That the chaff worked only briefly as it fluttered to the ground and was not a permanent solution wasn’t relevant under the circumstances. It only had to work well enough and long enough for the plane to get past the range of the radar.

The authors conclude: “Many forms of obfuscation work best as time-buying ‘throw-away’ moves. They can get you only a few minutes, but sometimes a few minutes is all the time you need.”

The book Obfuscation appeared almost exactly a year ago, but its argument takes on an additional resonance now, when the level of noise in our politics has risen to a degree that makes the culture wars of the past seem positively quaint. It can largely, but not entirely, be attributed to just one man, and there’s an ongoing debate over whether Trump’s use of the rhetorical equivalent of chaff is instinctive, like a squid squirting ink at its enemies, or a deliberate strategy. I tend to see it as the former, but that doesn’t mean that his impulsiveness can’t product the same result—and perhaps even more effectively—as a considered program of disinformation and distraction. What really scares me is the prospect of such tricks becoming channeled and institutionalized the hands of more capable surrogates, as soon as an “endlessly exploitable situation” comes to pass. In The Art of Political Murder, Goldman sums up “the seemingly irresistible logic behind so much of the suspicion, speculation, and tendentiousness” that enveloped the bishop’s death: “Something like this can seem to have a connection to a crime like that.” All you need is an event that produces a flood of data that can be assembled in any number of ways by selectively emphasizing certain connections while deemphasizing others. The great example here is the Kennedy assassination, which generated an unbelievable amount of raw ore for obsessive personalities to sift, like a bin of tesserae that could be put together into any mosaic imaginable. Compiling huge masses of documentation and testimony and placing it before the public is generally something that we only see in a governmental investigation, which has the time and resources to accumulate the information that will inevitably be used to undermine its own conclusions.   

At the moment, there’s one obvious scenario in which this precise situation could arise. I’ve often found myself thinking of Robert Mueller in much the way that Quinta Jurecic of the Washington Post characterizes him in an opinion piece starkly titled “Robert Mueller Can’t Save Us”: “In the American imagination, Mueller is more than Trump’s adversary or the man who happens to be investigating him. He’s the president’s mythic opposite—the anti-Trump…Mueller is an avatar of our hope that justice and meaning will reassert themselves against Trumpian insincerity.” And I frequently console myself with the image of the Mueller investigation as a kind of bucket in which every passing outrage, briefly flaring up in the media only to be obscured by its successors, is filed away for later reckoning. As Jurecic points out, these hopes are misplaced:

There’s no way of knowing how long [Mueller’s] investigation will take and what it will turn up. It could be years before the probe is completed. It could be that Mueller’s team finds no evidence of criminal misconduct on the part of the president himself. And because the special counsel has no obligation to report his conclusions to the public—indeed, the special-counsel regulations do not give him the power to do so without the approval of Deputy Attorney General Rod J. Rosenstein—we may never know what he uncovers.

She’s right, but she also misses what I think is the most frightening possibility of all, which is that the Russia investigation will provide the exact combination of factors—“too many witnesses and testimonials, too many possible stories”—to create the situation that Goldman described in Guatemala. It’s hard to imagine a better breeding ground for conspiracy theories, alternate narratives, and false connections, and the likely purveyors are already practicing on a smaller scale. The Mueller investigation is necessary and important. But it will also provide the artists of obfuscation with the materials to paint their masterpiece.

%d bloggers like this: