Alec Nevala-Lee

Thoughts on art, creativity, and the writing life.

A Hawk From a Handsaw, Part 2

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Detail from the cover of the January 1974 issue of Analog

Note: My article “The Campbell Machine,” which describes one of the strangest episodes in the history of Astounding Science Fiction, is now available online and in the July/August issue of Analog. To celebrate its publication, I’m republishing a series about an equally curious point of intersection between science fiction and the paranormal. This post originally appeared, in a slightly different form, on February 16, 2017. 

Yesterday, I hinted at a series of incidents from the early seventies that the writer Robert Anton Wilson once memorably described as “some mysterious hawks that follow Uri Geller around.” Geller, the Israeli magician and purported telepath, claimed to be in contact with an alien entity that three other men—Saul-Paul Sirag, Andrija Puharich, and Ray Stanford—all believed they had met in the form of a hawk. A few months after an encounter in which he thought he saw Geller turn into a bird of prey, Sirag was startled to see the Kelly Freas cover of the January 1974 issue of Analog, which depicted a man with a hawklike helmet and the last name “Stanford” embroidered over his breast pocket. The story, “The Horus Errand” by William E. Cochrane, follows a psychic named Stanford as he attempts to guide the consciousness of a deceased millionaire through its reincarnation into the body of a newly born infant, only to lose track of his client along the way. (There are faint shades of Heinlein’s I Will Fear No Evil, which had been published a few years earlier.) Egyptian imagery plays a significant role in the plot, with Stanford comparing his task to that of the mythological Isis, who gathered up the pieces of the dead Osiris and used them to conceive their son Horus, while an enormous modern pyramid serves as a backdrop to the action. Decades later, the real Ray Stanford, who was associated with research into unidentified flying objects, provided a sketch, pictured below, of what he said was the insignia on the famous spacecraft seen in Socorro, New Mexico on April 24, 1964 by police officer Lonnie Zamora. It looks a lot like a pyramid.

It isn’t especially surprising to see Egyptian symbolism turning up repeatedly in these contexts. Such images are popular for much the same reason that a character in Foucault’s Pendulum says you find pyramids on both sides of the Atlantic: “Because the wind produces dunes in the shape of pyramids and not in the shape of the Parthenon.” (His friend responds: “I hate the spirit of the Enlightenment.”) But the timing is striking for other reasons. We can start with Andrija Puharich, the parapsychological researcher who first introduced Geller to a large popular audience. In his book Uri, which presents Geller as a kind of messiah figure who derives his abilities from extraterrestrial sources, Puharich describes a few hawk encounters of his own. After traveling to Tel Aviv to study Geller, he quickly became convinced of the other man’s powers. While driving through the countryside on New Year’s Day of 1972, Puharich saw two white hawks, followed by others at his hotel two days later:

At times one of the birds would glide in from the sea right up to within a few meters of the balcony; it would flutter there in one spot and stare at me directly in the eyes. It was a unique experience to look into the piercing, “intelligent” eyes of a hawk. It was then that I knew I was not looking into the eyes of an earthly hawk. This was confirmed about 2 P.M. when Uri’s eyes followed a feather, loosened from the hawk, that floated on an updraft toward the top of the Sharon Tower. As his eye followed the feather to the sky, he was startled to see a dark spacecraft parked directly over the hotel.

Geller insisted that there weren’t any hawks in Israel, and that the birds had been sent to protect them. “I dubbed this hawk ‘Horus’ and still use this name each time he appears to me,” Puharich concludes, and he adds that he saw it on two other occasions.

The Socorro Symbol

As it turns out, there are, in fact, hawks in Israel, and based on Puharich’s description—a two-foot wingspan, with gray plumage and a white underside with “darker stippling”—they resembled Eurasian sparrowhawks, which are sometimes observed around Tel Aviv. But the most striking point goes unspoken. Puharich’s book is set during a period of heightened tension between Israel and Egypt, and much of the action revolves Geller allegedly receiving information from a higher power about a pending Egyptian invasion. During a hypnotic trance on December 1, 1971, Geller was given an alarming message: “Plans for war have been made by Egypt, and if Israel loses, the entire world will explode into war.” In a second session, he heard another warning: “In Khartoum and in Egypt there may be many dead. Sadat will be taken by his officers. Syria will attack. Jordan will not intervene. There will be many Egyptian soldiers in Jordan. You, you are the only one to save mankind.” Puharich spent much of his visit praying for peace, and because no attack took place, he strongly implies that Geller’s efforts had something to do with averting it. After the Yom Kippur War did break out on on October 6, 1973, Geller and Puharich consulted their extraterrestrial source, who replied: “The fight and the war will be fought just like an ordinary war. This war had to come, and they shall fight it out alone. You are not needed this time.” Earlier in the book, Puharich writes:

If [a cosmic being] wishes to appear to some earth person, it chooses a form suitable to the local taste. In ancient Egypt the sun god, Ra, for example, was said to appear in the form of a hawk called Hor, or as corrupted by the Greeks, Horus.

But as far as I can tell, neither Puharich nor Geller comment on the incongruity of a cosmic entity reaching out to an Israeli psychic in 1971 in the form of the Egyptian god of war.

If interest in paranormal phenomena tends to spike during times of uncertainty, it isn’t all that strange that it would draw upon Egyptian symbolism in a decade when global anxieties were shifting toward the Middle East. But there’s another incident I want to mention. In 1956, the writers Damon Knight and Judith Merril organized the first Milford Science Fiction Writers’ Conference, which attracted such authors as Theodore Sturgeon, Harlan Ellison, Robert Silverberg, and L. Sprague de Camp. Also in attendance was Cyril Kornbluth, who brought along a young woman, Jane Roberts, whom Knight describes as “slender and dark, thin to the point of emaciation,” with “enormous dark eyes.” During the conference, Kornbluth invited Knight, James Blish, and Algis Budrys to join him in Roberts’s hotel room. Here’s how Knight, in his book The Futurians, describes what occurred:

I have often wished I had asked Cyril what he really had in mind and what he expected to happen. My memories of what did happen are fragmentary. I remember that after a while Jane was sitting on a straight chair with the rest of us grouped together, and that she went into a trance and prophesied. I have forgotten every word of what she said. Still later we were grouped in a tight circle with our arms around each other; all the lights had been turned out except one dim one; it may have been a candle. Cyril was expressing his misery, and I began to sob, feeling as I did so that I was crying as his surrogate. We left the meeting with a feeling of closeness that went beyond friendship.

Two years later, Kornbluth was dead of a heart attack, while Budrys subsequently denied that the incident had ever taken place. As for Jane Roberts, she later became famous for channeling “an energy personality” that received widespread attention in a series of books published in the early seventies. The personality called itself Seth—which is also the name of the Egyptian god who was the sworn enemy of Horus. Tomorrow, I’ll do what I can to make sense of all this, and I’ll also talk about its relevance today, when a different kind of hawk seems to be on the resurgence in the Middle East.

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