Alec Nevala-Lee

Thoughts on art, creativity, and the writing life.

Archive for May 28th, 2018

The Constant Gardner

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Yesterday, I heard that the science fiction editor Gardner Dozois had passed away. Gardner and I never met, and we exchanged only a handful of emails over the last decade, but he profoundly affected my life on at least two occasions. The first was when I was twelve years old, and I received a copy of Asimov’s Science Fiction—which Gardner was editing at the time—for my birthday. As I’ve recounted here before, it was that present from my parents, given at exactly the right moment, that made me aware of short science fiction as a going concern, as embodied by its survival in the three print digests. My career ended up being more closely tied to Analog, but it was Asimov’s that set me on that path in the first place. Without that one issue, I don’t know if it would have occurred to me to write and submit short stories at all, and everything that followed would have been very different. I certainly wouldn’t have written Astounding, which I’m sad that I never had the chance to send to Gardner. He was on my list.

My other great debt to him lies in the form of the annual anthology The Year’s Best Science Fiction. Each installment represented a massive amount of work—Gardner seemed to read everything—and I sometimes think that they’ll turn out to be his most lasting legacy. When readers of the future want to figure out what was going on in literary science fiction over the last thirty years, they’ll turn here first, just as I relied heavily on similar collections to approach the stories of an earlier generation. When Gardner selected “The Boneless One” in 2011, it provided a huge boost to my confidence, and I felt exactly the same way last year when he said that he was taking “The Proving Ground” for what will turn out to be his last volume in the series. As a result, I’m hopeful that these two stories will continue to find the occasional reader in the decades to come, which may not be true of any of my other fiction. Making sense of this genre can be an overwhelming task, and we rely on editors and anthologists to give it a retrospective order. Along with so much else, Gardner was a curator of the imagination. And it’s hard to envision anyone filling quite the same role ever again.

Written by nevalalee

May 28, 2018 at 8:19 am

Quote of the Day

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The unity of a work of art, the basis of structural analysis, has not been produced solely by the unconditioned will of the artist, for the artist is only its efficient cause: it has form, and consequently a formal cause. The fact that revision is possible, that the poet makes changes not because he likes them better but because they are better, means that poems, like poets, are born and not made. The poet’s task is to deliver the poem in as uninjured a state as possible, and if the poem is alive, it is equally anxious to be rid of him, and screams to be cut loose from his private memories and associations, his desire for self-expression, and all the other navel-strings and feeding tubes of his ego. The critic takes over where the poet leaves off…Every poet has his private mythology, his own spectroscopic band or peculiar formation of symbols, of much of which he is quite unconscious.

Northrop Frye, Fables of Identity

Written by nevalalee

May 28, 2018 at 7:30 am

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