Alec Nevala-Lee

Thoughts on art, creativity, and the writing life.

The acid test

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I think drugs are interesting principally as chemical means of altering metabolism and thereby altering what we call reality, which I would define as a more or less constant scanning pattern.

—William S. Burroughs, to The Paris Review

On September 7, 1967, the editor John W. Campbell, who had just returned from the World Science Fiction Convention in New York, wrote to the author Poul Anderson about how fantasy—as typified by the works of J.R.R. Tolkien—seemed to be taking over the fandom. Campbell weighed the various reasons why one genre might be on the rise and the other on the decline, but he was particularly dismissive of one possible factor:

One I do not intend to yield to—the escape-from-harsh-reality motivation that underlies the LSD craze among the younger group in colleges…No need for learning a discipline, no need to recognize that “my opinion” and “truth” are in conflict…Which makes for happy little self-satisfaction. But unfortunately overlooks that the Universe’s opinion has a somewhat special place in that scheme of things.

A few weeks later, in response to a letter from a reader, Campbell agreed with the notion that there was no substitute for “experience” when it came to the effects of LSD, but added: “The statement applies equally, however, to taking heroin, becoming a quadriplegic, or committing suicide.” Campbell proposed that as an alternative to drugs, his correspondent try inducing anoxia, by breathing air from which most of the oxygen had been removed:

In just a minute or two, you’ll discover a vast increase in your mental abilities—a sureness of thought, a breadth of understanding, and a rapidity and sureness of reasoning you never achieved before…Of course your brilliant realizations and mighty discoveries somehow seem to misfire when you come down off that jag, and your judgment faculty gets back on the job. But it’s a great trip while it lasts!

It’s worth noting that while Campbell was pointedly uninterested in exploring drugs in the science fiction that he published, he wasn’t exactly puritanical. In addition to his own habitual use of cigarettes, benzedrine, and occasionally alcohol, he sampled marijuana and even “an African witch doctor drug” that one of his chemist friends was developing. He didn’t much care for pot, which made him “uncomfortable,” but he also had a take on the subject that might strike readers as surprising:

Marijuana serves to demonstrate [to teenagers] that the older generation is stupid, ignorant, hypocritical, and unwilling to learn anything. They do reject learning the simple facts about marijuana, and give violently emotional lectures on the Awful Evils of That Hideous Drug—without knowing the first things about it…Any intelligent teenager who’s experienced the effects of marijuana, and discussed it with friends, knows the average family doctor does not know what he’s talking about…Marijuana is a damn sight less dangerous than alcohol. It’s less addictive, less toxic, and less dangerous for a “high” driver to be high on marijuana than on alcohol. It is not an aphrodisiac, nor does it have alcohol’s tendency to anesthetize the censor mechanisms of the mind.

Campbell believed that the real problem with marijuana is that a teenager who learns to doubt what adults say on the subject is likely to become equally skeptical when it comes to cocaine, heroin, and LSD: “So long as parents and doctors deny the facts about marijuana, and insist on classing it with hard drugs, the kid who knows they’re wrong about marijuana feels they’re wrong about heroin…Marijuana can be legalized—and thus separated, as it must be, from the problem of the hard drugs.”

When it came to LSD, Campbell’s attitudes were more or less in line with those of the three other authors who have been on my mind these days. L. Ron Hubbard warned gravely against its use—LSD and PCP were the only drugs that disqualified potential applicants for the Sea Org—and he described his effects in a bulletin of which one follower recalled: “All the information came from one person who had taken LSD once. That was how he did his research.” Isaac Asimov doesn’t appear to have written on the topic at length, although he refers in passing in More Words of Science to “young people foolishly [beginning] to play games with their minds by taking LSD,” and he writes in his memoirs:

Most people, when I tell them [how I get ideas], are dreadfully disappointed. They would be far readier to believe that I had to use LSD or something like that so that ideas would come to me in an altered state of consciousness. If all one has to do is think, where’s the glamour?

Asimov concludes: “Try thinking. You’ll find it’s a lot harder than taking LSD.” This echoes Robert A. Heinlein, who wrote in a letter in 1967:

LSD and pot? Marijuana has been readily available to anyone who wanted it throughout my lifetime and apparently for centuries before I was born. LSD is new but the hippies didn’t develop it; they simply use it. But it seems to me that the outstanding objective fact about LSD (despite the claims of Leary and others) is that it is as much of a failure as other drugs in producing any results of any value other than to the user—i.e., I know of no work of art, essay, story, discovery, or anything else of value created as a result of LSD. When the acid-droppers start outdistancing the squares in any field, I’ll sit up and take notice. Until that day I’ll regard it just as I do all other euphoric drugs: a sterile, subjective, sensory pleasure holding considerable hazard to the user.

Aside from Hubbard, these writers objected to LSD primarily in its role as a kind of shortcut to enlightenment, leading to subjectively meaningful results that aren’t useful to anyone else. On the other side, you can set the testimony of such writers as Aldous Huxley and Robert Anton Wilson, not to mention Stewart Brand, Douglas Engelbart, and Steve Jobs, who believed that they had emerged from their experiences with valuable insights. I think it’s fairly obvious that both sides have a point, and that you get out of LSD exactly what you put into it. If you lack any creative skills, you aren’t likely to produce anything interesting to others, but if you’ve taken the trouble of cultivating those talents in the usual boring way, it can push you along unexpected lines of development. Whether these directions are different from the ones that you would have taken anyway is a separate question, and probably an unanswerable one. My own hunch is that the connection, for instance, between Silicon Valley and the psychedelic culture was mostly a question of timing: it wasn’t that these drugs produced unusually smart or unconventional people, but that many of the smart, unconventional people of that time and place happened to be taking drugs. Many of them regarded it as a turning point in their lives, but I’m inclined to agree with W.H. Auden said of transformative experiences in childhood:

The so-called traumatic experience is not an accident, but the opportunity for which the child has been patiently waiting—had it not occurred, it would have found another, equally trivial—in order to find a necessity and direction for its existence, in order that its life may become a serious matter.

At a moment of renewed interest in microdosing, at least among young professionals with the resources and security in their own social position to try it, it’s worth remembering that the evidence suggests that drugs pay off in visible ways only for people who have already put in the hard work of figuring out how to make and do interesting things. Norman Mailer compared it to borrowing on the future. And as Heinlein himself might have put it, there’s no such thing as a free Naked Lunch.

Written by nevalalee

April 27, 2017 at 9:11 am

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