Alec Nevala-Lee

Thoughts on art, creativity, and the writing life.

Kerouac goes to the movies

with one comment

Neal Cassady and Jack Kerouac

And Dean and I, ragged and dirty as if we had lived off locust, stumbled out of the bus in Detroit. We decided to stay up in all-night movies on Skid Row. It was too cold for parks. Hassel had been here on Detroit Skid Row, he had dug every shooting gallery and all-night movie and every brawling bar with his dark eyes many a time. His ghost haunted us. We’d never find him on Times Square again. We thought maybe by accident Old Dean Moriarty was here too—but he was not. For thirty-five cents each we went into the beat-up old movie and sat down in the balcony till morning, when we were shooed downstairs. The people who were in that all-night movie were the end. Beat Negroes who’d come up from Alabama to work in car factories on a rumor; old white bums; young longhaired hipsters who’d reached the end of the road and were drinking wine; whores, ordinary couples, and housewives with nothing to do, nowhere to go, nobody to believe in. If you sifted all Detroit in a wire basket the beater solid core of dregs couldn’t be better gathered. The picture was Singing Cowboy Eddie Dean and his gallant white horse Bloop, that was number one; number two double-feature film was George Raft, Sidney Greenstreet, and Peter Lorre in a picture about Istanbul. We saw both of these things six times each during the night. We saw them waking, we heard them sleeping, we sensed them dreaming, we were permeated completely with the strange Gray Myth of the West and the weird dark Myth of the East when morning came. All my actions since then have been dictated automatically to my subconscious by this horrible osmotic experience.

Jack Kerouac, On the Road

Written by nevalalee

May 15, 2016 at 7:30 am

One Response

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  1. Vintage Kerouac. As if there was any other kind.


    May 15, 2016 at 1:45 pm

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